They have to be used carefully and are usually better for logos and headers, rather than extended text, but are still easy on the eyes. They bring a old-school, almost nerdy, charm to a project or brand. If you’ve ever typed on an old-school typewriter, you’ve seen slab fonts. Slab fonts are characterized by their blocky serifs. Different weights of the same font can offer drastically different tones, for example: thick sans serifs are masculine and hardworking, while thin line version looks glamorous and noble. They always bring strength, clarity, and a modern, clean look to any project they are featured in. They also have the added benefit of working well in lower resolutions which makes them perfect for digital uses, including websites and e-readers. This very article is in a sans serif font! They are great for general readability and work very well for fine print. If you remember your high school French you may have already put together what sans serif means-“without serifs.” They don’t have the little feet that serifed fonts have and also tend to have lines that arena thickness from one end to another.
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